23.2.16
30.1.16
message4u video...
https://vimeo.com/153544328...is an email collaboration with Jeff Crouch and Halo Svevo who sent me his track. I worked with Christa Hunter near San Francisco.
Message4u roughly follows our 2015 year long conversation about democracy, technology and knowledge, the comparison between oracle and computer-both repositories of knowledge and prediction, salt as price for slaves, slaves as capital and the American cup challenger...among other related things you will find in the video...unfortunately I can't post the video here..so here are stills and go to vimeo...!
Message4u roughly follows our 2015 year long conversation about democracy, technology and knowledge, the comparison between oracle and computer-both repositories of knowledge and prediction, salt as price for slaves, slaves as capital and the American cup challenger...among other related things you will find in the video...unfortunately I can't post the video here..so here are stills and go to vimeo...!
18.1.16
3 asemic poems @zoomoozophone review
...this is such a fantastic issue I am listing the artists,
Cover art by Marco Giovenale and poetry by Alexander Limarev, Amanda Reeves, Ásgrímur Þórhallsson, billy bob beamer, Cecelia Chapman, Cristiano Caggiula, Denis Smith, Dona Mayoora, Edward Kulemin, Ethan T. Parcell, Fabio Lapiana, Federico Federici, Francesco Aprile, Giuseppe Andrea Liberti, Jack Galmitz, Jerry Dreesen, Jim Leftwich, Jim Wittenberg, John M. Bennett, Kerry Mitchell, Lin Tarczynski, Marco Giovenale, Maria West, Mark Young, Mauro Césari, Michael Jacobson, Michel Audouard, Miriam Midley, Mjamj Snjirc, Nathan Stapleton, Nicholas Zhu, Nico Vassilakis, Niranjan Navalgund, Patrick Collier, Ricardo E. Gonsalves, Robert Swereda, Rosaire Appel, Ruth E. Rollason, Shloka Shankar, Stephen Nelson, Tommasina Bianca Squadrito, and Vincent DeVeau!
17.1.16
15.1.16
asemic fiction drawings, online collaboration 2015 review...
Asemic Fiction
Empty is Within
Two Weeks
All my yesterdays R2morrow
Gogo
Graceless Shadow
Windswept
XO
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