25.8.20
21.8.20
FoxMail w/ Jeff Crouch
...two from Fox Mail (post thief or fox post?) 4 drawings, 8.5 x 11 in., 21.59 x 27.94 cm. Strathmore paper, watercolor, personal rubber stamps, ink, collage.
15.8.20
ERGO FREEDOM with jeff crouch...from the archive 2013 mail art...
...in setups photographed on instagram...meanwhile working on new mail art...
14.8.20
August 25 Acud Macht Neu Berlin Music, Screening Music for the Dead
...a huge almost two year email collaboration with composer Sean Derrick Cooper Marquardt August 25...if you are in Berlin...a site specific performance with my film...
7.8.20
plague postcard fervor &anthem of crime
Summermail2020: plague postcard fervor &anthem of crime @brutal damselfly conductive. With Jeff Crouch.
Go to my site for all 8 postcards and the rest of the Summermail2020 series... https://ceceliachapman.com/summer-mail2020/
16.7.20
...the last holdout of total private communication...
Repost: Confidential 0P 2017 because it considers the confidentiality of the post in the lost empire's attacks on privacy.....and the post office "is the last holdout of total private communication..." Mark Dimondstein, American Postal Workers Union.
This speculative fiction, Renegade Stations, was the second post here in MAD 2013
In my research I found the US Post Office was the third-largest civilian employer in the then United States. With the largest civilian vehicle fleet in the world and a big fuel bill. At this time the US Postal Service released Vision, a plan required by law, which introduced mail tracking called Intelligent Mail Barcode. Meanwhile professionals were openly critical of the Post Stations and felt it was time to change to email. When Post Stations realized email could possibly generate over $250 million per year through email servicing they closed all Post Stations.
Here files are lost. But it appears artists' groups individually bought or took over the Stations when it became apparent there would be no communication without surveillance. Over time the Stations joined into a loose coalition to harass their enemies and continue mail delivery.
Bin #94044 (archaic post zone code) contains artists' mail art. We do not comprehend this custom. The credit I am requesting is to research this matter further. It is key to the practice of the times that led to the Renegade Station Wars over communication privacy.
15.7.20
5.7.20
2.6.20
31.5.20
Evoking, mail collaboration video @Compostxt
Evoking: wordslab written by Randee Silv (arteidolia.com). Music Jeff Crouch (nothingandinsight.blogspot.com) and Diana Magallon.
26.5.20
25.5.20
11.5.20
21.4.20
Radius Shutdown video
Radius Shutdown is a one minute asemic, plague-poem,
music video mail collaboration with Jeff Crouch music and drawing 2020.
2.4.20
Dear Friend...a mail art performance...
Dear Friend: a mail art performance. Jeff Crouch music, Markus Breuss on horn, Rafael Gonzalez mail art, Cecelia Chapman video 2020. Using mail art and video sent back and forth via post and email between Spain and USA.
14.3.20
3 from Meta-Physical Midnight
gotta B magic
Midnight
Pink Moon Falling
all 2020 12 x 18 in., 30.5 x 45.7 cm.
Watercolor, gouache, graphite, ink, collage,
personal rubber stamps, crayon, digital print.
28.2.20
Nippe, nippe 47 drawings, works on paper @Otoliths and @Utsanga and @Asemic Arts Expo, June 6 – 21, Mogliano Veneto, Italy
Nippe, nippe: a report from the land of the peoples of the first light whose language and lands were stolen 2019, drawing and essay,...
@Otoliths, https://the-otolith.blogspot.com/2020/01/cecelia-chapman.html in print http://www.lulu.com/shop/mark-young-editor/otoliths-issue-fifty-six-part-two/paperback/product-24420658.html
@Utsanga you will find the essay....https://www.utsanga.it/chapman-nippe-nippe-a-report-from-the-land-of-the-peoples-of-the-first-light-whose-language-and-lands-were-stolen-from-asemic-open-call/
...and if you go to my site you will see all the drawings...https://ceceliachapman.com/nippe-nippe/
...and this same group will be in the Asemic Arts Expo, June 6 – 21, Mogliano Veneto, Italy
27.2.20
23.2.20
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